Frank Zappa - One Size Fits All
FRANK ZAPPA’S GROUNDBREAKING 1975 ALBUM, ONE SIZE FITS ALL, GETS RESIZED, RE-UPHOLSTERED AND REMASTERED FOR 50TH ANNIVERSARY WITH SUITE OF NEW RELEASES INCLUDING SUPER DELUXE EDITION BOX SET, 1LP AND 2LP BLACK AND COLOR VINYL PRESSINGS AND MORE
UNJUSTLY OVERLOOKED BUT INCREASINGLY APPRECIATED LANDMARK ALBUM OF ZAPPA’S EVER-FERTILE MID ‘70S PERIOD HAS BEEN NEWLY EXPANDED WITH 49 ADDITIONAL UNRELEASED LIVE AND RARE STUDIO TRACKS
58-TRACK, FIVE-DISC SUPER DELUXE EDITION CONTAINS FOUR CDS AND BLU-RAY AUDIO DISC WITH OUTTAKES, ALTERNATE EDITS, 2024 MIXES, AND UNEDITED BONUS VAULT MASTERS PLUS ONE PREVIOUSLY UNRELEASED COMPLETE SHOW RECORDED IN ROTTERDAM, AMSTERDAM
BLU-RAY BOASTS NEW SURROUND SOUND AND DOLBY ATMOS MIXES OF THE CORE ALBUM, PLUS TWO BONUS SURROUND TRACKS FROM THE VAULT
AVAILABLE SEPTEMBER 26 VIA ZAPPA RECORDS/UMe
ZAPPA’S HONKER HOME VIDEO RESURRECTED AS ONLINE VIDEO RENTAL STORE
“The first thing I think about when I hear One Size Fits All is its sonic impact. To me, I find it the second-best sounding album in the entire Frank Zappa catalog (first place awarded to Joe’s Garage). Time was spent making the stereo mix sound as brilliant as possible. Over time, One Size Fits All, albeit overlooked in 1975, is now considered a high point in the FZ catalog.”
–Joe Travers, Zappa Vaultmeister
As it turns out, 1975 became yet another pivotal year for Frank Zappa. Following a most momentous 1974, the Maestro showed no plans for slowing down (not that he ever did). Entering that midpoint of the 1970s, Zappa was coming off his most strictly commercially successful year to date, as his acclaimed March 1974 solo LP Apostrophe (’) became his first Gold-selling record in the United States, ultimately peaking at No. 10 on the Billboard 200 chart. The forever prescient and perpetually catchy single “Don’t Eat The Yellow Snow” had also made a splash on the Hot 100 chart, duly marking its territory at No. 87. Not only that, but the epic double-live album Roxy & Elsewhere followed that September, and the year had been jam-packed even further than that with touring and two special television tapings to boot. With no time to waste, Zappa had booked time for recording sessions at Caribou Studios in Nederland, Colo.—the very heart of the frigid Rocky Mountains—two weeks or so after touring had ended for the year.
The end result became the ensuing studio follow-up to Apostrophe (’)—June 1975’s One Size Fits All, which added even more to Zappa’s mythological recorded canon, led by such indelible tracks like the semi-rhetorical wonderings about a cosmic landing strip that is “Inca Roads,” the exploratory end-tables that are the instrumental cogitations of “Sofa No. 1” and the Germanic ruminations of “Sofa No. 2,” the pithy observations of the insufferable ennui-inducing “Po-Jama People,” and the debutante taunting of “Florentine Pogen.” One Size Fits All has long since become regarded as one of the strongest, best-sounding, and most musically adventurous entries in the Zappa canon.
In proper celebration of 50 years of One Size Fits All, a suite of newly expanded 50th anniversary editions led by a five-disc (4CD/1Blu-ray Audio) Super Deluxe Edition featuring 58 tracks in total will be released via Zappa Records/UMe. The lavish Super Deluxe Edition box comes complete with a 36-page booklet and unseen photos from the archives of Sam Emerson, in addition to liner notes and new historical essays by noted music journalist David Fricke, longtime Zappa/Mothers bandmember Ruth Underwood, and, as always, The Vaultmeister, Joe Travers.
One Size Fits All will also be released on vinyl with two special pressings: a 180-gram 2LP “Black Glitter” anniversary edition that combines a brand-new analog cut of the album with a bonus LP of highlights from the box set plus the 50th anniversary booklet, and a limited edition 1LP on 180-gram “Blue Galaxy” vinyl housed in a jacket printed on silver foil and including a lithograph of a never-before-seen photo contact sheet from one of Zappa’s historic shoots with Sam Emerson.
The Super Deluxe Edition and 2LP will be released on September 26 but fans who pre-order any of the One Size All: 50th Anniversary Edition offerings, including the 1LP color vinyl, exclusively at Zappa.com, uDiscover Music or Sound of Vinyl will receive the album on Friday, August 1. All formats are available to pre-order now: https://frankzappa.lnk.to/OneSizeFitsAll50PR
A new merch collection celebrating 50 years of One Size Fits All has also just been released, including t-shirts, posters, branded “One Size Fits All” socks, and more. Check it out here: https://frankzappa.lnk.to/OneSizeFitsAll50PR
In other exciting news, Honker Home Video, founded by Zappa in 1985 to sell his VHS releases direct to fans, has been resurrected 40 years later as a one-stop digital shop where fans can now digitally rent such favorites as the 1987 documentary, “The True Story Of Frank Zappa’s 200 Motels,” the 2008 live concert movie “The Torture Never Stops” shot in 1981 at the Palladium in NYC on Halloween night, the odds and ends compilation “Video From Hell,” and the latest release in Zappa’s video catalog, “Cheaper Than Cheep,” the just-released after more than 50 years two-hour concert film captured in June 1974 at Zappa’s Los Angeles rehearsal space. Head over to Honker Home Video for more info, to rent a movie today and to check out the latest Barfko-Swill items which have just been made available direct from The Vault: https://Zappa.lnk.to/HonkerHomeVideoPR
Produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, the new, expanded collection, One Size Fits All: 50th Anniversary Edition, sports the 2012 remaster of the original album by Bob Ludwig, along with scores of additional session outtakes from The Vault, alternate takes, and 2024 mixes remixed and restored by Craig Parker Adams, all remastered in 2025 by John Polito at Audio Mechanics. Also included in the expanded collection is a truly historical live concert recording captured at Sports Palace Ahoy in Rotterdam, Amsterdam, on September 28, 1974, plus a pair of bonus concert tracks from Gothenburg Concert Hall in Gothenburg, Sweden, extracted from a gig just a few days earlier on September 25, 1974.
The Blu-ray contains the core album newly remixed in Dolby Atmos and 5.1 surround sound by Karma Auger and Erich Gobel at Studio1LA, the same team behind the acclaimed Dolby Atmos and surround mixes of 2022’s Waka/Wazoo, 2023’s Over-Nite Sensation, and 2024’s Apostrophe (’) releases, respectively, which were mixed directly from the 24-track album master tapes, along with the hi-res stereo 2024 remaster at 24-bit/192kHz for the main album, plus two bonus Vault-culled surround tracks featuring vintage mixes by Zappa himself. Also included are two bonus videos taken from the classic KCET-TV shoot in Los Angeles, Calif., on August 27, 1974, which have been re-edited for the first time since Zappa had his hands on the footage back in 1974.
Additionally, the Super Deluxe Edition will be available digitally, with all 58 tracks available in both hi-res 24-bit/96kHz and standard-res 16-bit/44.1kHz options. A standalone Dolby Atmos mix of the core album’s nine tracks will also be available on all Atmos-supporting hi-res streaming services.
While conducting a series of round-robin interviews with the British press in London in April 1975, Zappa confirmed that he had spent “four months, ten to 14 hours a day” making One Size Fits All—and the proof is within the grooves. At its core, Zappa’s 14th Mothers album and 20th overall at that point (and now part of official Zappa release #131) is structurally grounded in Zappa’s biscuit-and-butter genre proclivities – raw gutbucket blues and vocal-group R&B amongst them – along with his ongoing comedic observations and striking social commentary, all backed with incendiary performances by one of his greatest bands.
One key reason One Size Fits All sounds as good as it does is that it’s the first time a Frank Zappa release was created entirely on a 24-track tape machine. Previously, everything had been cut 16-track or below. As Travers observed, Zappa’s use of the studio had always been groundbreaking, but now he had even more options for sonic layers, with “stunning sound quality” due in large part to the teamwork of recording engineer Kerry McNabb and, later, Michael Braunstein.
The Caribou sessions featured the Mothers-fortified sextet lineup consisting of Zappa, keyboardist/vocalist George Duke, bassist James “Birdlegs” Youman temporarily filling in for the still-injured Tom Fowler, drummer Chester Thompson, and percussionist Ruth Underwood. Recording at Caribou started on December 8 and lasted until December 22, 1974. Following a return to Los Angeles for another gig at the Long Beach Arena on New Year’s Eve, additional recording sessions were booked at The Record Plant, this time with Fowler back in action on bass, tenor saxophonist/flautist/vocalist Napoleon Murphy Brock, but with Underwood absent. The Record Plant sessions continued basic tracking for songs not finished or tackled during Caribou time. Given all the tensions surrounding both intense recording environments, this incarnation of the band ultimately fell apart, resulting in the departures of both Thompson and Underwood, though their imprints remain permanently ingrained on the music as Zappa went into dubbing overdrive in the New Year. Ultimately, four One Size Fits All tracks—“Inca Roads,” “Florentine Pogen,” “Andy,” and “Sofa”—persisted as consistent set list favorites until Zappa’s final tour in 1988. (One Size Fits All was also the final studio album credited to The Mothers of Invention.)
The cover art is yet another marvel of the A/V intersectivity synergy of the Zappa universe. As Zappa put it himself in an off-era interview with Disc, “It’s a very good cover, when you consider the front cover shows a picture of a sofa and the back cover is references to the universe in general.” For the more linguistically inclined, rearranging the initial letters of each word in One Size Fits All begats the name of both the cover’s prominent project/object and the two-part, split “Sofa” track itself. Zappa cover art vet Cal Schenkel and Vernon Simpson’s intricately designed but beautifully celestial map on the back remains a wonder to behold, as it is laden with minuscule-print gags – such as the star named after Olympic swimmer Mark Spitz in the constellation Aquarium.
In his researching the included 1974 live material, Travers discovered that recording and front of house engineer Brian Krokus seemed to be experiencing nightly issues with the gear he had at his disposal. The Swedish show, for example, did not contain a bass guitar track, while the Rotterdam show failed to capture all of Underwood’s percussion rig to tape – but thankfully, her marimba and vibraphone did increase in level as the show proceeded. He also found both shows had extremely prominent bass drum to tape, and Zappa’s overall guitar tone was very edgy. “All in all,” Travers concluded, “the 4-track masters from that run are not perfect (they rarely are). But, the performances are, of course, legendary.” Travers then pointed out some prime Zappa DNA—namely, that the roots of “Zoot Allures” are implied by Zappa’s after Thompson’s drum solo in “Dupree’s Paradise,” further noting that “it seems those chords first appear in multiple instances on this tour!”
Regardless of the psychological stains and personal scars that Zappa ultimately overcame to get it all to the finish line, One Size Fits All stands tall as another testament to the man’s will to create something that truly found the right place to park itself. The 50th anniversary Super Deluxe Edition of One Size Fits All is a masterful celebration of half a century of one of Zappa’s unjustly overlooked best, an album that continues to infiltrate the cracks and crannies of all days and nights of our collective listening pleasures.
